![]() Many artists at this level want to composite together a blockbuster-level shot. Gather assets to create similar shots from sites like Turbosquid and, but be realistic about what you can accomplish at this stage. When working on your compositing portfolio, think of the types of films you want to work on. Great examples of your compositing work will help you impress prospective employers. Watch Career Development Manager Maxine Schnepf's interview with JV Pike and CGS mentor Jason Gottlieb from FuseFX about their work on The Orville and Ratched. Impress your seniors and show that you are keeping up with current trends in technology by practicing this technique. You may get a job as a junior artist at a studio that does this kind of work for clients. These are essential skills for a junior compositing artist to have.Īnother thing you may want to experiment with is stitching together 360 video. Get a similar shot without the screen to practice rotoscoping. Pick one up and shoot a simple scene with a friend. It won’t be the same quality as a blockbuster film, but it’s good enough to practice keying with. Nowadays a small, inexpensive green screen is easy to come by. These are just a few examples, but with some unique ideas and formal training in a compositing program like The Foundry’s Nuke software, you can build up a variety of shots for your personal portfolio. Practice digital painting in Adobe Photoshop to learn how light and shadow are portrayed in the digital space. You could create and gather elements to build an out-of-this-world sci-fi scene. For example, you could gather footage and images to build out a large landscape. Keep in mind that as a compositor you have to be flexible with tasks because every new project will result in new and unique challenges.Įxperiment with a versatile palette of projects. In smaller companies, a compositor may have to do all of these tasks, whereas in larger companies junior artists will generally be assigned rotoscoping and green screen keying duties. In some cases, the actor will be shot on a green screen so it's easier to remove the green and add in elements around and behind them. For example, if a scene features a 3D destruction element in the background with a character in the foreground, the actor will need to be rotoscoped out of the shot. This is essentially the drawing of outlines using a pen tool or other methods to separate an object from elements in the scene. Compositors also need to know the depth of field of shots and what camera/lenses were used to shoot plates before beginning a job.Īnother common compositing task is rotoscoping. This may include referencing color correction, matching specific shots to the entire film, matte painting requirements, and sourcing stock footage if needed. They will research different elements during the course of the pipeline. The daily routine of a compositor varies depending on the type and budget of the production. A compositor must be prepared to tackle many unique tasks.Ĭompositing reel by Nuke VFX Compositing mentor Jason Gottlieb. In Independence Day: Resurgence, the compositor's job was to destroy the world by mixing a bevy of destruction assets with 3D-modeled cities and live-action plates. The compositor may be in charge of creating entire worlds or merging worlds. Z-depth is basically a black and white representation of the depth of an object in a scene and is very important in compositing 3D elements. Once this is all rendered out, the compositor layers the missile, smoke, explosion, and building destruction into the shot, using color correction and z-depth to bring it all together. The animator animates the missile, and the FX artist adds smoke effects and an explosion with building destruction. Firstly the background is shot (referred to as a plate) that contains the building in the foreground and the cityscape in the background. For example, a script has a scene where a missile hits a building in a big city. What does a compositor do?Ī skilled compositor layers together various elements in a way that makes them appear to naturally belong in the same space. Compositing is the final step of the VFX pipeline. VFX compositing seamlessly integrates digital assets with live-action footage to bring together the final shot of a film or game. ![]() ![]() Read on to find out what a compositor does, what they earn, and how to get started. Compositors are in high demand as almost every production requires some form of compositing - from seamlessly integrating VFX shots with CG characters FX and environments to working on invisible VFX like stray hairs, rain, or fog in a TV show or commercial. ![]()
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